#Lorde pure heroine album wiki series

Lorde's voice occasionally takes the form of a wide-eyed, Feist-y coo, but much more often it's a low, clenched growl like everything else about her, it has an air of 'wise beyond her years.' 'I didn't start writing songs until I was 13,' she said in a recent interview, almost apologetically, but then quickly accounted for the lost time, 'Before that, I wrote short fiction.' Now that she's a wizened 16, Lorde, who wrote all the lyrics on Pure Heroine and co-wrote the music, has fashioned herself a correspondent on the front lines of elegantly wasted post-digital youth culture and working-class suburban boredom.

Twenty seconds into her debut album, Pure Heroine, she's already announced that she's bored. The message is clear: Lorde has introduced herself to the world as someone who gives very few fucks. With the global smash 'Royals' (the first song in 17 years by a female solo artist to top BillboardвЂ™s alternative chart) she made her name by sneering at everything else on the radio ('We don't care/ We aren't caught up in your love affair'). The other day she spoke too truthfully in an interview and accidentally insulted Taylor Swift Katy Perry asked her to tour with her and-politely but firmly- she said no. (It's an anti-video in the tradition of the Replacements' 'Bastards of Young', and, fittingly, her moody cover of 'Swingin Party' has been making the rounds.) In a moment when too many new artists seem afraid to offend or go off script, Lorde is an exciting contradiction: an aspiring pop star who's had a major-label development deal since age 12 (she was discovered at a local talent show) but has retained a seemingly genuine iconoclastic streak. That's the message you get from the defiantly low-concept video for her single 'Tennis Court', in which the 16 year-old New Zealand singer-songwriter (real name: Ella Yelich-O'Connor) stares right at you-her taunting, onyx pupils burning a hole through the computer screen-for a hypnotic and somewhat uncomfortable three and a half minutes. Richer in sound and experience, the album found strength in different kinds of isolation: the temporary plight of the newly heartbroken and the lifelong fate of the writer.In the current pop firmament, Lorde is a black hole. But LordeвЂ™s feel for suburban adolescent disconnect catalyzed into precocious power moves-such as curating the soundtrack for the third Hunger Games movie-and an astute lens on the wider world on 2017вЂ™s Melodrama. She captured the late-night trains home, clandestine kisses, and heavy symbolism of your first love remembering to buy your favorite juice-little of which, she seemed to know, lasts. Together, they wrote вЂњRoyals,вЂќ a song that not only defined her perspective-with its unimpressed, teenage dismissal of material obsessions-but also propelled her skeletal electro-pop debut, 2013вЂ™s Pure Heroine, to a Grammy nomination.

#Lorde pure heroine album wiki series

After being spotted at a talent show and signing to Universal at age 12, she quickly chewed through a series of writing partners until she met Joel Little, a fellow Auckland native and former pop-punk frontman. Where previous generations of teenagers frequently had to endure middle-aged marketing managersвЂ™ ideas of what entertainment should look like, millennial teens were #blessed with one of pop cultureвЂ™s greatest young laureates: New ZealandвЂ™s Ella Yelich-OвЂ™Connor, a.k.a.